...You know who you are... Thanks for making this project possible! Here's some footage from Jeffry Cudlin, Director of Exhibitions at The Arlington Arts Center. I hope to get some pictures posted soon.
(re)do it
Press Release from the Arlington Arts Center about the (re)do it project
Please read here for more details: Arlington Arts Center Press Release
Ways to Participate
There are a number of ways you can participate in this project, depending on the level of engagement you want to have, and the experience you seek.
Active Participation/Production
- Prior to 5pm Friday, December 12, 2008 (the night of the live instructions/performance), you can submit your do it instructions via email to redoit@kathryncornelius.com, or preferably through this website's submit page. If you use Twitter, you can also send an "@redoit" tweet that we'll receive through our Replies inbox.
Note: All pre-December 12th @ 5pm instructions will be posted on this website's instructions page. - On Friday, December 12, 2008 you can come to the Arlington Arts Center for the opening of Unlimited Edition and from 7-9pm you can tweet your instructions to (re)do it in real time and see the live enactment of your instructions via webcam projection in the gallery.
Passive Participation/Consumption
- If you have a Twitter account, you can sign-up to follow (re)do it tweets. Please sign-up before Friday, December 12, 2008 so we can make sure you get our tweets. Of course, if you have a Twitter app on your phone, you can also follow us away from your computer.
- Not on Twitter? No worries. Just subscribe to the RSS for (re)do it @ Twitter.
- Or, if you prefer, you can follow the tweets via this website's instructions page.
By (re)do it
Tagged: instructions, options, twitter
About the Project: Intentions
1 - To upend the relationship between public and artist set forth in Hans Urlich Obrist's Do It project, while...
2 - ...Inverting the dynamic between performer and audience, literally performing on audience command, thereby...
3 - ...Changing the role of the audience as art consumers to participatory producers of the artwork, and...
4 - ...Closing the gap between the artist's studio as a site of labor and the gallery space as a site of viewership, through...
5 - ...Engaging Web 2.0 technologies (blogsites, Twitter, webcams) as mediums for collaborative expression, deflating the notion of the individual as Author, while...
6 - ...Exposing the influence that the demands and desires of the art market has on the artwork produced by artists today
By (re)do it
Tagged: intentions